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Research Articles<\/strong><\/p>\n<\/div>\n
\n\n\n| YEREL S\u0130YASET VE KATILIMCI YEREL DEMOKRAS\u0130<\/strong><\/p>\n LOCAL POLITICS AND PARTICIPATORY LOCAL DEMOCRACY<\/p>\n Recep \u015eEH\u0130TO\u011eLU
\nAkif \u00c7ARK\u00c7I<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| PIERRE BOURDIEU\u2019NUN SOSYOLOJ\u0130S\u0130 I\u015eI\u011eINDA SOSYAL \u00c7ALI\u015eMAYI ANLAMAK<\/strong><\/p>\n UNDERSTANDING SOCIAL WORK IN THE LIGHT OF PIERRE BOURDIEU’S SOCIOLOGY<\/p>\n Ali Artam AYYILDIZ<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| AKSANLI S\u0130NEMADA SELF ORYANTAL\u0130ST TUTUM: H\u00dcSEY\u0130N TABAK S\u0130NEMASI<\/strong><\/p>\n SELF ORIENTALIST ATTITUDES IN ACCENTED CINEMA: H\u00dcSEY\u0130N TABAK CINEMA<\/p>\n Buket AKDEM\u0130R D\u0130LEK
\nFatime Ne\u015fe KAPLAN<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| GLITCH SANATININ RES\u0130M SANATINA YANSIMALARI BA\u011eLAMINDA ANDY DENZLER\u2019\u0130N RES\u0130MLER\u0130NE BAKI\u015e<\/strong><\/p>\n A LOOK AT ANDY DENZLER’S PAINTINGS WITHIN THE CONTEXT OF GLITCH ART’S REFLECTIONS TO PAINTING<\/p>\n Elif \u00c7AKIRO\u011eLU<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| SINIFSAL AYRICALIK\/E\u015e\u0130TS\u0130ZL\u0130K TEMEL\u0130NDE B\u0130REYE A\u0130T PEYZAJIN \u00c7ER\u00c7EVES\u0130<\/strong><\/p>\n THE FRAMEWORK OF THE INDIVIDUAL LANDSCAPE ON THE BASIS OF CLASS PRIVILEGE\/INEQALITY<\/p>\n Esra \u00d6ZHANCI
\nAhmet KO\u00c7<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| FENOMENOLOJ\u0130K B\u0130R \u0130NCELEME: SOSYAL MEDYADA HAK\u0130KAT\u0130 \u0130FADE EDEN\u0130 BULMAK YA DA HAK\u0130KAT\u0130 \u0130FADE EDEN OLMAK<\/strong><\/p>\n A PHENOMENOLOGICAL EXAMINATION: FINDING THE TRUTH OR BEING THE TRUTH EXPRESSION IN SOCIAL MEDIA<\/p>\n Hakan TAN<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| B\u00d6LGESEL KALKINMA ALANLARININ \u0130\u015e SA\u011eLI\u011eI VE G\u00dcVENL\u0130\u011e\u0130 PERFORMANS ANAL\u0130Z\u0130<\/strong><\/p>\n OCCUPATIONAL HEALTH AND SAFETY PERFORMANCE ANALYSIS OF REGIONAL DEVELOPMENT AREAS<\/p>\n Kaan KO\u00c7AL\u0130<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| DISCURSIVE OPPORTUNITIES FOR MOBILISATION IN THE TIME OF \u2018WAR ON DRUGS\u2019 IN MEXICO: THE CASE OF MOVIMIENTO POR LA PAZ CON JUSTICIA Y DIGNIDAD<\/strong><\/p>\n \u201cUYU\u015eTURUCUYA KAR\u015eI SAVA\u015e\u201d ZAMANLARINDA MEKS\u0130KA\u2019DA MOB\u0130L\u0130ZASYON \u0130\u00c7\u0130N S\u00d6YLEMSEL FIRSATLAR: ADALET VE SAYGINLIKLA BARI\u015e HAREKET\u0130 \u00d6RNE\u011e\u0130<\/p>\n Onur A\u011eKAYA<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| 21. Y\u00dcZYILDA POSTMODERN \u00d6ZNE DENEY\u0130M\u0130 OLARAK PROFESYONEL D\u00dc\u011e\u00dcN FOTO\u011eRAFI \u00c7EK\u0130MLER\u0130 VE SOSYAL MEDYA ETK\u0130S\u0130<\/strong><\/p>\n PROFESSIONAL WEDDING PHOTO SHOOTS AND SOCIAL MEDIA EFFECT AS A POSTMODERN SUBJECT EXPERIENCE IN THE 21ST CENTURY<\/p>\n Rabiya SALT\u0130K<\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n\n| <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n | <\/td>\n<\/tr>\n | \n\u0130A\u00dcD JULY <\/strong>2022 C\u0130LT 14 SAYI 3 DOI L\u0130STES\u0130<\/strong><\/td>\n| <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/p>","protected":false},"excerpt":{"rendered":" \u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 \u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 SOSYAL B\u0130L\u0130MLER DERG\u0130S\u0130 (\u0130A\u00dcD) \u0130A\u00dcD TEMMUZ 2022 ISSN:\u00a02757-7252 e-ISSN: 2757-7244…<\/p>","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1422"}],"collection":[{"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/comments?post=1422"}],"version-history":[{"count":1,"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1422\/revisions"}],"predecessor-version":[{"id":1423,"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1422\/revisions\/1423"}],"wp:attachment":[{"href":"https:\/\/iaud.aydin.edu.tr\/en\/wp-json\/wp\/v2\/media?parent=1422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | | | | | | | | | | | | | | | | | | |